John Wayne :: essays research papers

Arguably the just about best-selling(predicate) and certainly the busiest movie leading man in Hollywood history, John Wayne entered the film business while working as a laborer on the Fox Studios lot during summer vacations from university, which he accompanied on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in pull through with(predicate) films, comedies, and dramas. Wayne was cast in small roles in Fords late-20s films, occasionally down the stairs the name Duke Morrison. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 expansive Western The Big Trail, it was a failure at the box office, but the movie showed Waynes potential as a leading fake. During the next nightspot years, be busied himself in a multitude of B-Westerns and serials most notably posterior of the Eagle in between occasional bit parts in larger features such as Warner Bros. Baby Fac e. But it was in action roles that Wayne excelled, exuding a warm and imposing manliness onscreen to which both men and women could respond. In 1939, Ford cast Wayne as the Ringo Kid in the adventure Stagecoach, a brilliant Western of modest scale but tremendous power, and the actor finally showed what he could do. Wayne nearly stole a picture alter with Oscar-caliber performances, and his career was made. He starred in most of Fords subsequent major films, whether Westerns (Fort Apache, She Wore a Yellow Ribbon, Rio Grande, The Searchers ) war pictures (They Were Expendable) or serious dramas (The Quiet Man). He also starred in numerous movies for other directors, including several passing popular World War II thrillers (Flying Tigers, Back to Bataan, Fighting Seabees, sand of Iwo Jima) costume action films (Reap the Wild Wind, Wake of the Red Witch) and Westerns (Red River). His box-office popularity uprise steadily through the 1940s, and by the beginning of the 1950s hed als o begun producing movies through his company Wayne-Fellowes, later Batjac, in association with his sons. Most of these films were extremely successful, and include such titles as Angel and the Badman, Island in the Sky , The High and the right ( my personal favorite), and Hondo. The 1958 Western Rio Bravo, directed by Howard Hawks, proved so popular that it was remade by Hawks and Wayne twice, once as El Dorado and later as Rio Lobo.